![]() ![]() It is intended to simulate drifting oscillators by adding gentle amounts of smooth, random pitch modulation to each Tone and to every voice played in a Patch, thereby thickening the sound. You have probably already discovered the Analog Feel parameter in the Patch Common menu. Analogue oscillators drift slowly over time, and in the case of analogue polysynths, there are also the subtle pitch differences between each voice generator to take into account. OK, let's rephrase the question: what single aspect of analogue synthesizers is most often associated with 'analogue feel'? The answer would probably be 'pitch instability'. What defines 'analogue feel'? In certain quarters, the question itself can cause a debate lively enough to rival the Iraq conflict. Let's ease into the lesson with a subject close to everyone's hearts. So this month I'll examine some of the ways in which the basic sounds can be warped, mangled, filtered and otherwise manipulated to do your bidding. ![]() XV and JV synths are proficient sound-design tools, capable of much more than simply playing back layered sample waveforms. In the last part of our series on Roland's family of sound modules, we show you a number of ways that the more advanced synthesis parameters can breathe life into your patches. ![]()
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